Toutes peintures ā l'huile d'Francesco Primaticcio


ID Image Painting(From A to Z)    Details 
2164  
Francesco Primaticcio, Danae
 
 Danae   c1533-40 Chateau de Fontainebleau
30489  
Francesco Primaticcio, Detail of the Bedchamber of the Duchess d'Estampes
 
 Detail of the Bedchamber of the Duchess d'Estampes   mk68 Fresco and high-relief stucco c.1532 France
71425  
Francesco Primaticcio, Odysseus und Penelope
 
 Odysseus und Penelope   Date Deutsch: um 1563 English: c. 1563 Medium Oil on canvas
70698  
Francesco Primaticcio, Raub der Helena
 
 Raub der Helena   Medium Oil on canvas Dimensions Deutsch: 155 ?? 188 cm
40362  
Francesco Primaticcio, The Holy family with St.Elisabeth and St.John t he Baptist
 
 The Holy family with St.Elisabeth and St.John t he Baptist   mk156 1541-43 Oil on slate 43.5x31cm
88596  
Francesco Primaticcio, The Holy Family with Sts Elisabeth and John
 
 The Holy Family with Sts Elisabeth and John   between 1541(1541) and 1543(1543) Medium Oil on slate cyf
50996  
Francesco Primaticcio, The Holy Family with Sts Elisabeth and John the Baptist
 
 The Holy Family with Sts Elisabeth and John the Baptist   1541-43 Oil on slate, 43,5 x 31 cm
84694  
Francesco Primaticcio, The Holy Family with Sts Elisabeth and John the Baptist
 
 The Holy Family with Sts Elisabeth and John the Baptist   Date between 1541(1541) and 1543(1543) Medium Oil on slate Dimensions Height: 43.5 cm (17.1 in). Width: 31 cm (12.2 in). cjr
32484  
Francesco Primaticcio, The Rape of Helene
 
 The Rape of Helene   1530-39 Oil on canvas, 155 x 188 cm

Francesco Primaticcio
Italian 1504-1570 Francesco Primaticcio Gallery Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicol?? dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and f??tes, which survive only in preparatory drawings and, sometimes, engravings. François trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau.[1] Primaticcio retained his position as court painter to François' heirs, Henri II and François II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559. Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century. Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.



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